<![CDATA[【視文所演講公告】香港大學Jean Ma教授系列講座]]><![CDATA[<div class="ed_model03 clearfix">
<div class="ed_pic_left"><img alt="Ways of Theorizing Tsai Ming-liang's Cinema: Slowness, Sound, and Infrastructure" src="/userfiles/svcch/images/20251030164937669.png" /></div>
<div class="ed_title01">國立陽明交通大學視覺文化研究所及社會與文化研究所共同邀請國際知名電影學者 Jean Ma教授訪臺，將分別於臺北與新竹各舉行一場專題演講，敬邀大家共襄盛舉！<br />
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👉 What Comes After Disappearance? Ann Hui at the End of Hong Kong Cinema<br />
時間 Date｜2025.11.11 (Tue.) 19:00-21:30<br />
地點 Venue｜牯嶺街小劇場二樓藝文空間 Guling Street Avant-Garde Theatre 2F<br />
主講人 Speaker｜Prof. Jean Ma（香港大學比較文學系孔慶熒梁巧玲基金教授席藝文講座教授 Mr. and Mrs. Hung Hing-Ying Professor in the Arts, Department of Comparative Literature, The University of Hong Kong）<br />
主持人 Host｜王潔瑩 Dr. Klavier Wang（國立陽明交通大學視覺文化研究所助理教授 Assistant Professor, Institute of Visual Studies, NYCU）<br />
講座摘要 Abstract<br />
In her most recent film Elegies (2023), Ann Hui documents Hong Kong's poetry through several of its leading lights. Although the film focuses on living poets, its English-language title points to a poetic form defined by loss and retrospection. In exploring Hui's mobilization of elegy as that which connects poetry and cinema, this talk develops a critical reassessment of the notions of death and disappearance that have theoretically framed Hong Kong cinema in the contemporary period. Hui's cinematic elegy sets into clear contrast the double edge of disappearance as both an obstruction to and source of historical insight.<br />
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<div class="ed_pic_right"><img alt=" Narcotic Spectatorship" src="/userfiles/svcch/images/20251030164939120.png" /></div>
<div class="ed_title01">👉 Narcotic Spectatorship<br />
時間 Date｜2025.11.13 (Thur.) 13:30-16:20<br />
地點 Venue｜國立陽明交通大學（光復校區）人社二館F106A教室 Room F106A, Humanities Building 2, NYCU (Guangfu Campus) <br />
主講人 Speaker｜Prof. Jean Ma（香港大學比較文學系孔慶熒梁巧玲基金教授席藝文講座教授 Mr. and Mrs. Hung Hing-Ying Professor in the Arts, Department of Comparative Literature, The University of Hong Kong）<br />
主持人 Host | 蔡華臻 Dr. Hwa-Jen Tsai（國立陽明交通大學社會與文化研究所助理教授 Assistant Professor, Institute of Social Research and Cultural Studies, NYCU）<br />
講座摘要 Abstract<br />
This lecture traces a theoretical discourse that relates film spectatorship to states of lowered consciousness such as sleep, hypnosis, and opiation. This discourse connects writings from different periods and places, suggesting a longstanding suspicion of spectatorship as a regressive mental condition.<br />
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＊演講將以英文進行 These talks will be conducted in English<br />
＊本活動由陽明交通大學視覺文化研究所、社會與文化研究所共同主辦，經費由教育部高等教育深耕計畫補助</div>
</div>]]>https://www.nycu.edu.tw/svc/ch/app/news/image?module=headnews&detailNo=1433378104989978624&init=YWhat Comes After Disappearance? Ann Hui at the End of Hong Kong Cinemahttps://www.nycu.edu.tw/svc/ch/app/news/image?module=headnews&detailNo=1433645035936550912&init=YNarcotic Spectatorship