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Institute of Visual Studies, National Yang Ming Chiao Tung University

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Klavier Jie-Ying Wang

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Klavier Jie-Ying Wang
Academic Position：Assistant Professor
Office Tel No.：02-2826-7000 ext.67131
Email：klavierwang@nycu.edu.tw
Research Interests：Asian American Media, Video Art, Visual Techno-culture, Medium Materiality, Moving Image Archiving and Preservation, Hong Kong Film History
GitHub: https：//github.com/jyw321
NYCU Academic Hub：https://scholar.nycu.edu.tw/zh/persons/klavier-wang






 
 
Academic Qualifications (學歷)
  • 2021    M.A. in Moving Image Archiving and Preservation (MIAP), Tisch School of the Arts, New York University
  • 2015    Ph.D. in Communication, School of Communication, Hong Kong Baptist University
  • 2013    Junior Visiting Fellow, Institute of Sociology, Academia Sinica
  • 2011    M.Phil. in Communication, School of Communication, Hong Kong Baptist University
  • 2009    M.A. in Global Communication, School of Journalism and Communication, The Chinese University of Hong Kong
  • 2008    B. B. A. in Public Relations, Sun Yat-sen University
     
Working Experience (經歷)
  • 2022.2 – date       Assistant Professor, Institute of Visual Studies, National Yang Ming Chiao Tung University, Taiwan
  • 2021.9 – 2022.2   Software Architecture and UI/UX Designer, Getty Digital, J. Paul Getty Trust, U.S.
  • 2021.6 – 2021.8   Film Restoration Assistant, Taiwan Film and Audiovisual Institute, Taiwan
  • 2021.1 – 2021.4   Audiovisual Archivist, Special Collections, New York University Libraries, U. S.
  • 2016.3 – 2018.8  Post-Doctoral Research Fellow, Academy of Hong Kong Studies, The Education University of Hong Kong, Hong Kong
  • 2014.3 – 2018.8  Adjunct Professor, University of Hong Kong, Hong Kong Polytechnic University, Hong Kong Baptist University
     
Honours & Awards (榮譽與獎勵)
  • 2024            “Excellent Teaching Award”, College of Humanities and Social Science, NYCU
  • 2019-2021   “Hong Kong Scholar”, Hong Kong Government Scholarship of Excellence Scheme, Hong Kong 
  • 2019-2021   “Graduate Scholarship”, Tisch School of the Arts, New York University, U. S.
  • 2020            “Universal Studios Preservation Scholarship”, Universal Pictures, U. S.
  • 2017            “Young Scholar Award” (first place), European Association of Taiwan Studies
     
Journal Articles (期刊論文)
  • Wang, Klavier. “Discovering, Describing and Digitising CCTV: Challenges and Attempts of Making New York Chinatown’s Community Television Archive Accessible.” Journal of Digital Media Management 10, no.1 (2021): 34-46.
  • Wang, Klavier. “Mobilizing Resources to the Square: An Exploration of Hong Kong's Anti-moral and National Education Movement.” International Journal of Cultural Studies 20, no. 2 (2017): 127-45.
  • Wang, Klavier. “Beyond information: The Socio-cultural Role of the Internet in the 2008 Sichuan Earthquake.” Journal of Comparative Asian Development 9, no. 2 (2010): 243-92.

Monographs (專書著作)
  • Wang, Klavier. Hong Kong Popular Culture - Worlding Film, Television and Pop Music. Singapore: Palgrave Macmillan, 2020.

Book Chapters (專書論文)
  • (forthcoming) Wang, Klavier. “Creating Something out of Nothing－Chinese Cable Television (CCTV, 1975 —1983) as the First Asian American Public Access Television.” In Chinese American Cinema Anthology, edited by M. F. Yip, P. Fu and B. Hu, Oxford University Press.
  • (forthcoming) Wang, Klavier. “Rising on the Horizon－Diffusion of Early Video Culture in Hong Kong.” In Anthology on East Asian Media and Creative Industries, edited by E. Y. Yeh, D. Davis, and Jacks W.
  • Wang, Klavier and Alice Lee. “Youth People’s Media Use and Social Participation in Hong Kong: A Perspective of Digital Use Divide.” In Stories from Inequity to Justice in Literacy Education－Confronting Digital Divides, edited by  E. Morrell, and J. Rowsell, 110-29. London & CA: Routledge, 2021.
  • Wang, Klavier and Stephanie Ng. “Our Little Twins Stars: Conglomerate-catalyzed Cross-media Stardom in the New Millennium.” In Made in Hong Kong: Studies in Popular Music, edited by A. Chik, and A. Fung, 157-67. London & CA: Routledge, 2020.
  • Wang, Klavier. “China’s Influence on Hong Kong’s Entertainment Industry: Lessons from Film Production.” In China’s Influence and the Center-periphery Tug of War in Hong Kong, Taiwan, and Indo-Pacific, edited by B. Fong, J. Wu, and A. Nathan, 139-54. London & CA: Routledge, 2020.
  • Klavier Wang. “Social Movement in Spotlight and in Congress: Hong Kong and Taiwan Comparison.” in The Age of Social Movements: Trajectory of Hong Kong Contentious Politics, edited by E. Cheng, and S. Yuen, 159-78. Hong Kong: The Chinese University Press, 2018.
  • Wang, Klavier, Eliz Wong, and Hope St. John. “Touching A Nerve: A Discussion on Hong Kong's Umbrella Movement.” in Protest Camps in International Context: Spaces, Infrastructures and Media of Resistance, edited by G. Brown, A. Feigenbaum, F. Frenzel, and P. McCurdy, 109-34. Bristol, UK: The Policy Press, 2017.

Book Reviews (學術書評)
  • Wang, Klavier. Review of Meeting Place: Encounters across Cultures in Hong Kong, by Elizabeth Sinn and Christopher Munn eds., The China Review 19, no. 3 (2019): 186-89.
  • Wang, Klavier. Review of  Taiwan and the China Impact, by Gunter Schubert ed., International Journal of Taiwan Studies 1, no. 2 (2018): 402-3.
  • Wang, Klavier. Review of  Hong Kong in the Cold War, by Priscilla Roberts and John M. Carroll ed., The China Review 18, no. 4 (2018): 155-7.

Conference Papers from the Last Five Years (過去五年發表之研討會論文)
  • Klavier Wang, “Video City, Video Stratum: Unearthing Video Infrastructure and Culture in Hong Kong, 1970s-1990s,” in the Urban Mediations: International Conference on the Narratives, Ecologies, and Poetics of the City Conference, Hong Kong, Hong Kong, December 5-6, 2024.
  • Klavier Wang, “Rising on the Horizon－Diffusion of Video Culture in Hong Kong in the 1960s - 1980s,” in the Society for Hong Kong Studies Annual Conference, Hong Kong, Hong Kong, June 14-15, 2024.
  • Klavier Wang, “‘Chinese Compatriots Home and Abroad, This is CCTV’: The Making of the First Chinese-Language Television in the US, 1970s,” in Association of Asian American Studies Annual Conference, Seattle, USA: April 15-17, 2024.
  • Klavier Wang (co-authored with Yen Yung-cheng), “Unveiling the True Face of a Parade: Formosa Outtakes from the Fox Movietone News collection,” in Orphan Film Symposium, New York, USA, April 10-12, 2024.
  • Klavier Wang, “From Ethnic Media to Activism Media: Making America’s First Asian American Television in the 1970s,” in Society of Cinema and Media Studies Annual Conference, Boston, USA, March 14-17, 2024.
  • Klavier Wang, “The Missing Noise－Guerrilla Television Project by Asian in America in 1970s-80s,” in International Association of Media and Communication Research Annual Conference, Lyon, France, July 9-13, 2023.
  • Klavier Wang, “Hong Kong Co-Production Film under CEPA and Beyond: History, Praxis and Resistance in the Field,” in Society for Hong Kong Studies Annual Conference, June 24-25, 2022.
  • Klavier Wang, “‘We Won’t Move!’: Describing and Digitizing CCTV, Chinatown’s Public Access Television,” in Association of Moving Image Archivists Annual Conference, online: Nov. 17-20, 2020.
  • Klavier Wang, “Awakening Voices from Immigrants－Historical Research and Screening of CCTV Programs from 1970s-80s Manhattan Chinatown,” in Orphan Film Symposium, online, May 23-27, 2020.
  • Klavier Wang, “Spiral of Forces, Tug of War: China influences in Hong Kong Film Industry under CEPA,” in International Communication Association Annual Conference, Washington D. C., May 24-28, 2019.

NSTC Research Project (國科會計畫)
  • The Missing Noise: Guerrilla video and guerrilla art by Asian in America in the 1960s-1980s (消失的噪音：一九六零至八零年代在美亞裔的游擊錄像與游擊藝術) 
NSTC112-2410-H-A49-001-MY2
2023. 2. 1 — 2025. 1. 31
 
  • Rising on the Horizon - Video culture in 1980s-90s Hong Kong (當錄像媒介躍升之時：1980-1990年代香港錄像文化之初探)
NSTC112-2410-H-A49-038-MY2
2023. 8. 1 — 2025. 7. 31



Courses Taught (教授課程)
研究所課程 (Graduate courses)
  • 影像媒介文化 (Visual Media and Cultures)
  • 錄像技術、文化與藝術 (Video Technology, Culture and Art)
  • 流動影像技術歷史、文化與典藏 (Moving Image Technology, Culture and Preservation)
  • 專題討論：視覺社會史/學（合授） (Co-teach Seminar: Social History and Sociology of Visual of Visual Cultures
大學部核心通識課程 (Undergraduate courses)
  • 達文西的世界·世界的達文西 （合授） (Co-teach The World of Leonardo da Vinci)
  • 香港電影導論 （英文課程） (English course Introduction to Hong Kong Cinema)
 
Theses supervision(學生畢業論文指導)
  • 張晉瑋 (進行中)：部署觀看：農復會巡映電影的視覺性與映演機制（1951-1963）
  • 郭柏賢 (進行中)：論南韓勞工新聞製作團1990年代的游擊影像革命
  • 陳君亮 (進行中)：臺灣當代陶藝中的怪物與跨物種想像
 
Programming Languages (電腦編程語言)
  • Python, Bash, HTML, MySQL
 
Film Restoration Software & Audiovisual Editing Software (電影修復與影音典藏應用軟體)
  • Diamant, Davinci Resolve, Pro Tools, iZotope RX, FFmpeg, Adobe Premier, MediaArea, BagIt, ArchivesSpace, CollectiveAccess, Omeka
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